Beep.
Oh, no
Beep.
You have got to be kidding
Beep.
You swear if you see an IV connected to your wrist, youll yank the blasted thing out.
You force your weak eyes open and survey your surroundings.
Not trusting your voice, your curse in your mind.
You hand clenches in annoyance, as your eyes scan around your hospital room.
Only then do you notice the IV jutting out of your wrist .
You bite your lip and yank the offending tube out of your body, hissing as the stinging pain sets in.
The fluid continues to drip on to the floor, making a puddle that the nurses will have to clean.
You clench your fist again, feeling the stinging soreness beginning to burn as well.
You resist covering the wound with your hand, and instead let yourself bleed on the immaculate white sheets.
Youre getting dizzy from having your eyes open, so you slide them shut.
You head spins a bit as you let your mind come to an ease.
You go over your body, trying to feel if anything is broken or hurt.
You take a deep breath in as you realize youve possibly broken or bruised a rib.
You sigh again.
You shiver and shift under the hard sheets of the stiff bed, trying to make yourself at least comfortable.
You start to think.
What happened to you this time
You fell out of a tree.
You were at least twenty-five feet up, so you must have been rendered unconscious from the fall.
Which landed you in the hospital yet again.
You feel yourself becoming upset that youre trapped in the hospital again.
You know if you have to see that shrink more than you already have to, you will justifiably throw a tantrum.
You mind drifts to Xaiver in an effort to calm yourself.
His face calms you almost instantly, and your body relaxes.
You yearn to see him, to touch him and nestle yourself in the nape of his neck, your favorite spot.
You miss him.
Your eyes fly open when you hear the door to your room open with a clack.
The nurse that walks in flushes when she sees youre awake.
Oh! She chirps. Youre awake.
You nod slowly.
Thats good to see. Ill inform the doctors
She says, rushing out of the room.
You roll your eyes.
The stupid woman didnt notice the wound on your wrist, nor did she notice the fluids leaking from the bag hanging next to you.
You cough in an effort to clear your throat of whatever could be preventing you from talking.
Before you have a chance to test out your voice, a doctor rushes in and hurries to your side.
Your eyes narrow.
Ah, so you are awake. he says nodding.
Oh, hes just captain obvious, isnt he?
You took a nasty fall this time.
You nod again.
You remember that.
You sustained a lovely concussion, and you wouldnt wake up, but you appear to be fine. Can you speak?
You shrug. You havent really tried.
Well, youll hopeful be released by the end of this week. Its great to see you awake, someone is here to see yo-.
He stops, eyeballing your wrist.
You smile sheepishly.
It must have come out while you were asleep. The stinging must have woken you up?
You inwardly chuckle, then nod, which seemed to satisfy the doctor.
He quickly cleans and wraps the wound for you, then walks off, and you guess hes off to get your guest.
You close your eyes, feeling the dizziness wash over you again.
You hear arguing as you slip your eyes closed, and your brows furrow in annoyance.
Youre the idiot that hurt her in the first place! Sod off!
I wouldnt need to-
You wouldnt need to what, hurt her? What is this, the second time your so called unintentional bullcrap has landed her here? Do her a favor and get a life!
You recognize Xaivers voice at once and smile.
Hes never been one for a temper, someone must have pissed him off.
You heard a thud and a squeaking of sneakers in the direction of your room.
You crack open your eyes again, and cock an eyebrow at your door as it swings open and in rushes Logan.
Your eyes widen in shock and your head starts to throb.
You shut your eyes tightly as memories start rushing back.
The nearly perfect friendship you shared and how it was destroyed.
The stress, the anxiety, the pressure.
You find yourself staring into a mirror through your minds eyes.
Your sub conscious self smashes her face into the mirror, and everything snaps back into place.
Your eyes fly open again .
Your eyes narrow and you clench your teeth.
You
You growl at Logan, finding your voice.
You almost want to bare your teeth like a wild animal.
Almost.
Instead you take a deep breath in that sounds like a deep hiss.
I remember you. You speak slowly, almost shivering at the intensity of the chill on your voice.
You
you taunted me
lied to me
made me cry in my sleep. You helped destroy me
You.
You swallow harshly. Logan.
You do remember him.
Everything came back.
That perfect friendship you shared once before.
It all seems nothing but an illusion, even though youre aware that it did happen.
You so badly want to use the pole of your IV bag and beat the shocked expression off Logans face, but you resist, feeling Xaivers hand resting on your shoulder.
You calm yourself.
I want you to go. You say clearly. I never want to see you again.
Logan looks shocked, the expression painted on his face makes it obvious.
He has the nerve to look hurt.
You know youve wanted to say this to him.
You know how youve wanted to change.
The real reason you dont want him around you.
Youre aware.
If he remains around you, youll fall backwards.
If he remains around you, youll because that girl that cried in the dark.
And thats the last thing you want.
What are you waiting for? You demand.
Leave.
Logan slipped from the room without a sound.
You feel conflicting emotions.
Its always conflicting, confusing and complex anytime you think about Logan.
Hes stubborn, and you know that this isnt the end.
You feel Xaivers arms wrap around you, and youre comforted by his embrace.
Youre better without him.
















Comments
1. Spacing; breaking at every line creates more of a distraction. I found myself not paying attention about midway through. This is prose, yes; a story. Faux-poetic enjambment does not add any sense of drama to the situation.
2. Second-person perspective. Stories telling "you" actions never tend to last very long. A reader may not like being "told" what to do--"you" lose quite a large percentage of anticipation and wonder first- and/or third-person may provide instead. And because of those children's books, I expect flipping to page 109 for survival, and 88 for death (making chapters irrelevant).
--
"I love when you make the dictionary your bitch."
"You seduce the English language and use it for your own sordid ends."
[JDM] [JA]
[If he remains around you, youll because that girl that cried in the dark.] >>
[You feel Xaivers arms wrap around you, and youre comforted by his embrace./Youre better without him.] :33
--
Together we made it, We made it even though we had our back up against the wall
Forever we waited; And they told us we were never gonna get it,
But we took it on the road, on the road, on the rooaaad.
We Made It -Busta Rhymes ft. LP
Sorry I ditched, computer's being a pain.
--
Take Jean's powers away and she becomes a super model house wife... Ho shit she's the Marvel's answer to Angelina Jolie. ~pearlblade
Whoa. Coo Coo kachu got screwed.
--
Together we made it, We made it even though we had our back up against the wall
Forever we waited; And they told us we were never gonna get it,
But we took it on the road, on the road, on the rooaaad.
We Made It -Busta Rhymes ft. LP
Second person perspectives give this story a unique feel to it- one I possibly could not achieve through first or third. Based on your comment I gather that you have not read the entire story and thus do not know why I wrote it how I did.
I have no idea what you're talking about. What children's books?
--
Take Jean's powers away and she becomes a super model house wife... Ho shit she's the Marvel's answer to Angelina Jolie. ~pearlblade
Whoa. Coo Coo kachu got screwed.
No. I stopped about half-way (as noted). Readers are bystanders. I do not enjoy being told what to do; if I wanted orders, I'd join the military. Most people would probably agree.
Typically mysteries and adventures for kids in the 7-13 age range. The introduction lasts, perhaps, 10 pages, then the book gives "you" the option to pick "your" fate in the story. The entire book hops around based on what "you" feel like doing (all pre-written for multiple uses).
--
"I love when you make the dictionary your bitch."
"You seduce the English language and use it for your own sordid ends."
[JDM] [JA]
You stopped in the middle of this chapter. I see. So, you're unaware of the point of this story? Or that there's more to it? I would think if you didn't like being told what to do, you'd breeze over something like this- something being told in second person.
I'm glad the concrit and all, such as the pointers on my spacing- which I will think about while I'm completing the story. But what I do not understand the point of is you're telling me to change the perspetive of the story when it's been very established at a second person prose.
Unless you mean for me to consider it in another perspective as some sort of writing exercise I don't understand.
--
Take Jean's powers away and she becomes a super model house wife... Ho shit she's the Marvel's answer to Angelina Jolie. ~pearlblade
Whoa. Coo Coo kachu got screwed.
--
"I love when you make the dictionary your bitch."
"You seduce the English language and use it for your own sordid ends."
[JDM] [JA]
--
Take Jean's powers away and she becomes a super model house wife... Ho shit she's the Marvel's answer to Angelina Jolie. ~pearlblade
Whoa. Coo Coo kachu got screwed.
Previous Page123Next Page